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Hurting Your Characters

October 1, 2011

We knew pretty much everything about our character, Brook, before we ever set words to a page. She was a lot like us, or people we've known. She was the pretty girl we went to high school with, the nice one that had a smile for everybody. Brook was born and raised not far from where we live. We liked her. She was a Kansas girl. But before the readers even got the chance to know and appreciate her quiet strength, her kind nature, or her particular circumstances, we started being very mean to her. Right from the start of the novel, Betrayed, we put her into a dangerous situation with horrific consequences. The question is; isn't it hard to hurt a character you like? And the answer is yes. Sometimes it is hard.

There were points along the way when one of us would say to the other, "Oh, that's really bad. We have to pull back on that." And we did. Our manuscript underwent massive changes along the way. Brook was not hurt as badly by the final draft as she had been in the beginning. Still, she was grossly mistreated. We like to think we made it up to her later; but were she real, she would probably not agree.

Many times an author treats a character in unbelievably cruel ways, puts him or her into nightmare situations. It's part of the story. When writers grow fond of their characters, this can present a dilemma. To stick with the storyline, sometimes we must harm our favorite imaginary people. While we can blame the abusers in the book for Brook's suffering, we realize if we are honest with ourselves, that it's really all our fault. The abusers did what we told them to do, the pigs. But they're bad guys, and bad guys are…well, bad.

We are not comparing our writing to that of Tolkien, but imagine if he had caved to sympathy for Frodo. It wouldn't have been the same story. Frodo might have tossed the ring aside, said no to an extended jaunt through dangerous lands, and simply remained at Bag End eating crumpets and drinking tea. It would hardly have filled one book, let alone three. And no movie would have come of it. We can all be thankful the author did not take it easy on Frodo.

So, Brook and many other characters in other books have had to endure great hardship. Not only that, but their torment has come at the very hands of those who care about them the most, the authors. To writers everywhere who know what this feels like, remember not to love your characters so much that you can't hurt them. And if you have to hurt them, try to give them something back in return. It helps.

 

Writing Rape

September 1, 2011

By K. Wodke

 Every survivor of rape experiences the trauma in her (or his) own unique way. Some common after-effects include fear, anger, guilt, shame, loss of trust, anxiety, insomnia, and even denial. Because of the element of shame associated with rape, many victims are reluctant to report the crime and /or seek the help they need.

Like child molestation, rape is an abhorrent and aberrant behavior, one that people are expected to realize is wrong without being told. They are exp...


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Marry Me

August 31, 2011

by PJ Hawkinson

“Marry me!” These are the words most women long to hear from the lips of her loved one.

After the cherished words comes the wedding planning. However, it seems to me that weddings are trending to competitive instead of romantic. Too garish, showy, and kitschy, instead of elegant, classy, and refined.

The ultra-wealthy have begun to make a mockery of sharing marriage vows. It has became a contest of who can invite more people, have better entertainment, and spend t...


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Dark Longings
A mystery/suspense
by Wodke Hawkinson




Sue, a sequel to Zeke
by Wodke Hawkinson




Zeke, a thriller by
Wodke Hawkinson



Betrayed, a suspense novel by
Wodke Hawkinson


Tangerine by
Wodke Hawkinson



Catch Her in the Rye,
Selected Short Stories, Vol. One
by Wodke Hawkinson



Blue, Selected Short Stories, Vol. Two
by Wodke Hawkinson


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